Features one channel and two inputs; volume, bright, treble, treble expander, bass, bass expander, bright switch, deep switch, stand-by switch, pilot light for stand-by and operate. This amp was built to play larger halls and outdoor concerts. The lack of reverb was not a big issue as most live performances had acoustics full of reverberation halls, arenas. Peter Traynor built these things to stand up to road abuse, unlike a lot of vintage stuff. It sounds great with either bass and guitar, providing a clean and loud tone. Works great in large club settings.
The Torpedo Captor is an easy to use reactive Loadbox perfect for unleashing your favorite tube amp in a variety of modern applications and venues. If you just require attenuation from your amp to your cab, Captor has you covered. The concept You love the sound of your amplifier pushed right to the magic sweet spot where the best tones are. Enter Torpedo, the simplest and most realistic way to get your sound to your audience. Use the amp you love!
Everything that makes a real amp rule over all the other alternatives is retained.
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The word “grunge” was used in print prior to the use of the term in mainstream publications, to refer to the Seattle music genre. The word appears on a Johnny Burnette rockabilly album, in as “American English teen slang” to refer to sloppy, dirty aspects or untidiness,  by music critic Lester Bangs in ,  by writer Paul Rambali in a NME article to describe mainstream guitar rock,  and in a SPIN magazine article which stated that “Noise.
Rock has always been about it. Arm first used the term in , when he wrote a letter under his given name Mark McLaughlin to the Seattle zine Desperate Times, criticizing his own band Mr. Epp and the Calculations as “Pure grunge! Soundgarden bassist Ben Shepherd hated the term “grunge” as a way to describe his band’s music.
Brand,Price,Category Clear All Refinements As long as the bass guitar has been a part of the music scene, bassists have been demanding a lot out of their amplifiers. That’s because they have to – the low-end tones of the bass need serious amplification to punch through the rest of the band and achieve the perfect impact on the audience. Enter Ampeg bass amplifiers. Dating back nearly half a century, Ampeg is one of the original builders of bass amps, pumping out amazing sound that’s had the competition playing catch-up throughout the decades.
The biggest milestone in Ampeg’s history was in The standard power level for bass amplifiers at the time was 50 watts, but Ampeg’s team wouldn’t settle for anything less than a monster.
Orchid Studios is a place of Music. The studio itself imparts something of an old school vibe. We aren’t exactly purists, but we do put emphasis on performances.. Our R & D department has determined that focusing energies on songwriting, arrangement, and performance yields .
If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 and I firmly believe, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size. Sennheiser e Silver Instrument Mic.
The design and specs allow for simply draping over the top and resting on grill cloth if you prefer to not use a mic stand. Also works well with drums. Features include rugged metal body, advanced shock-mount design, super-cardioid pick-up pattern, and hum compensating coil. Includes mic clip and case. Quality Pedaltrain board with a durable padded gig bag made of cordura nylon, with adjustable shoulder strap and gusseted exterior storage pocket for cables, straps, etc.
The pedalboard is on an inclined plane and includes brackets for mounting your favorite power supply underneath the frame. Uses Velcro attachment included or zip ties remind me and I’ll include a handful. Fulltone FB-3 Fat Boost.
Captor is an easy to use reactive Loadbox perfect for unleashing your favorite tube amp in a variety of modern applications and venues. If you just require attenuation from your amp to your cab, Captor has you covered. The concept You love the sound of your amplifier pushed right to the magic sweet spot where the best tones are. Enter Torpedo, the simplest and most realistic way to get your sound to your audience.
Use the amp you love! Everything that makes a real amp rule over all the other alternatives is retained.
Shop for Bass Cabinets products online at Guitar Parts Direct
Safety Warning – Read this first! Working inside a tube amplifier can be dangerous if you don’t know the basic safety practices for this kind of work. If you aren’t prepared to take the time to learn and apply the right precautions to keep yourself safe, don’t work on your own amp. You can seriously injure yourself or get yourself killed. This section is not intended to be a complete guide to safety in tube equipment, just to hit the high points as refresher for those of you who have some experience.
The best way to learn the requirements and practices for safety in tube equipment is to find someone who will teach you one on one.
Computers cannot make good songs sound great. A vintage microphone with incredible Mojo cannot make a good song sound any better than good. A Producer with this level of expertise, can help transform a song from good to great, and bring your vision into sharper focus.
Understanding the Vintage Ampeg SVT Sound and Dating Your Gear. Esteban St. James of Von Saint Design is a bass lover like the rest of us, but even deeper his passion lies in vintage Ampeg SVT ://
I couldn’t find much info on it after doing some quick searching It was made by SLM, so that puts in right into the mid 80’s as far as dating it goes. The SVT was another story. It was nice, but certainly not for the price they’re trying to get. It sounded pretty good, but I wasn’t able to really crank it up in the store. An orange light under the grill cloth came on and stayed on as I was playing it too I’m not positive, but I think I might have blown one of the speakers in the cab too.
The guy said they’ve had this thing since the store opened, 6 years ago. I wonder why it’s still there? I have no interest in the cab nor do I need it at all. I’m not historian, but I certainly do my homework. This thing is less than perfect and needs some work. I had him work on a tube amp of mine a few years back.
Except Nothing Less 5 This cab has the only two things that matter when talking about buying equipment. I own two of them and recommend nothing other then this cab. For less then 2 Grand you can have an arena worthy rig!!!!! From jazz to the heaviest metal ever played you will never be let down with this cab. In shows my two have never let me down.
On stage. The Torpedo Captor is all you need to mic an amp on stage without the hassle of using a microphone. The Torpedo Captor is an amplifier DI box, designed to be used between the amp head and the speaker cabinet.
This information original was found on The Unofficial Ampeg Page http: I pulled this information from Google’s cache of the site. It has a note at the top of the page that they were reprinting with permission from the authors of Ampeg: If anyone feels this page should be taken down, please feel free to contact me. Ampegs can be divided into six distinct groups for dating purposes: Each group uses a unique serialization scheme that can be used to assist in dating the amps, but in many cases, it is the features and characteristics of the amps that determine the year of manufacture.
Electronic Industries Association EIA codes can also be very useful for giving clues as to an amp’s age. These codes can be found on speakers, transformers, pots, capacitors, and multi-section electrolytic “can” caps. Of course, these codes are only applicable to original components, not replacement parts.
If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 so I figure, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size. These guitars already have a great vintage vibe with an authentic looking two-tone sunburst gloss finish, parchment parts, and tinted neck, so the vintage logo is icing on the cake.
Other features include C-shaped maple neck with maple fingerboard and modern 9. Like the early vintage models this guitar also has stacked knobs with a volume and tone on each pot.
Earth-rocking road warriors Tim Sult and Dan Maines show off their Gibsons, Rickenbackers, Orange and Ampeg heads, and their most elaborate boards to date.
Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; shared: All used four A output tubes to generate a conservatively rated watts, which can often top watts downhill with a good tailwind… which is to say, when cranked. And though we say this was a rock-intended amp, it was rock as Ampeg intended it — bold, punchy, clear, and ungodly loud. Who could use such an amp today? Perhaps fewer players than back in the day, but, back when it was introduced, it proved to be exactly what plenty of touring pros required, most notably the Rolling Stones.
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· I have an ampeg SVTAV bass cabinet for sale, it is in perfect working order very powerful! This is the anniversary edition. Also this includes the